GALLERY KOGURE

“HIGH AND RAW” – The New School of Japanese Antique presented by tatami
■GALLERY KOGURE NEW YORK (closed)
■2016.5.6 – 6.4
■11:00 – 18:00
■Closed on Sunday and Monday

GALLERY KOGURE NY is pleased to announce installation “HIGH AND RAW” is composed of objects from the new school of Japanese antiques by team “tatami”.

They brought “high” objects and wonders to this minimal space in NY in order to display a “raw” as sensitivity to things that arises from the aesthetic sense and pathos of the Japanese concept. This expression is an art form core Japanese sense of beauty of known as”Mono no aware”.

“tatami” is a expressive team of antique specialist and dealers from Japan presenting a new view of Japanese antique and art.

Since the 1879 Paris Universal Exposition, the exported “Too much oriental” objects of Japanese antiques have been distributed and stereotyped in the Western market as an anachronistic art form catering exclusively to specialty collectors or Japan-enthusiasts. This concept of exclusivity still exists even today.

In parallel, the traditional Eastern viewpoints toward “patina” or “antiquity” based on the Japanized aesthetic sense deeply related to the intangible essence and other unique concepts (e.g. ‘zen’, ‘wabi-sabi’,’mitate’, ‘mingei’ or etc.) have been introduced outside of Japan as well.

But, such viewpoints were often too subtle or abstract to be realized through the exports of such Westernized oriental objects, or books, or related literature as those mediums were not adequately expressive.

Founded in Japan in 2015, tatami has started to present to the world through internet and events the essence, concept, and wonder of the Japanese antiques handpicked individually from the various local places in Japan by each of tatami’s specialist dealers. Because each dealer has devoted their life within Japan to these art forms tatami can honestly present these objects as one’s inspiration itself without stereotyped criteria for what the antique should be. tatami through our events and curation is a spontaneous movement from Japan for the high and raw aesthetic sense as we wish to see it now.

As simple as it is personal, our objects and our activities we regard as music. And as in music we are improvising rather than playing a score. So, honest and undiluted inspiration is the language we strive to speak.

GALLERY KOGURE NYでは骨董商集団「tatami」によるインスタレーションを展示いたします。

tatamiは日本の骨董を通じて新たな視野と価値観を提案する、若き骨董商の集団です。

1879年パリ万博で日本の古美術が発表されて以来、欧米市場での日本の古美術に対する価値観は形成され、今もなおその時代遅れの固定観念が多くのコレクターによって珍重され、その結果そのイメージが世界中で日本の骨董に対する強い固定観念となってしまいました。

それと並行して、日本固有の侘び錆び、禅、見立て、といったつかみどころのない美意識や、さらには民藝に見られるような様式も紹介されるようになり、ようやく定着しつつあります。そういった日本の美意識の表現は、心で感じる非常にほのかで絶妙な感覚であり、形態がなく抽象的なものであるため、欧米では例にあげるような物もなく、文字での表現は今なお非常に難しいとされています。

そんな中、tatamiは自然発生的に起こったムーブメントで、その日本固有の美意識を掲げたコンセプトに共感する日本各地の骨董商仲間がそれぞれ選出した日本の骨董品を、固定観念抜きの尺度で互いにキュレーションし、2015年からインターネット、イベントや展覧会の場を通じて陳列、あるいはインスタレーションすることで、そのインスピレーションを世界に問いかけ、その価値観を商品として紹介する活動を行うようになりました。衝動的、矛盾的とも言える彼らの視覚的表現を言葉にしてカテゴライズしてしまうと、「現代骨董」や「現代古美術」とか「現代古物」といった事になってしまのですが、小空間GALLERY KOGURE NYで表現される彼らのHIGH AND RAWな日本の美意識をどうかご高覧いただき、感じていただけたら幸いです。

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